New York Review of Books

Voronezh Notebooks/Osip Mandelstam

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Osip Mandelstam is one of the greatest of twentieth-century poets and Voronezh Notebooks , a sequence of poems composed between 1935 and 1937 when he was living in internal exile in the Soviet city of Voronezh, is his last and most exploratory work. Meditating on death and survival, on power and poetry, on marriage, madness, friendship, and memory, challenging Stalin between lines that are full of the sights and sounds of the steppes, blue sky and black earth, the roads, winter breath, spring with its birds and flowers and bees, the notebooks are a continual improvisation and an unapologetic affirmation of poetry as life. About the Author: Osip Mandelstam (1891-1938) was born and raised in St. Petersburg, where he attended the prestigious Tenishev School, before studying at the universities of St. Petersburg and Heidelberg and at the Sorbonne. Mandelstam first published his poems in Apollyon , an avant-garde magazine, in 1910, then banded together with Anna Akhmatova and Nikolai Gumilev to form the Acmeist movement, which advocated an aesthetic of exact description and chiseled form, as suggested by the title of Mandelstam's first book, Stone (1913). During the Russian Revolution, he left Leningrad for the Crimea and Georgia, and settled in Moscow in 1922, where his second collection of poems, Tristia , appeared. Unpopular with the Soviet authorities, Mandelstam found it increasingly difficult to publish his poetry, though an edition of collected poems did come out in 1928. I

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